Several of the museum’s galleries will be re-configured to present their Post-Impressionist, Nabi and Fauve art holdings, now owned by the Hahnloser/Jaeggli Foundation. The contract, which was publicly released on 20 October, includes a provision for the collection’s return, however, in case the Villa Flora re-opens—a decision that depends on the means and political will of the town of Winterthur, Radio Télévision Suisse reports.
- Hedy Hahnloser in the paintings gallery of the Villa Flora, around 1943-44 (Image: Willy Maywald © Villa Flora archives)
- Vincent Van Gogh, Le semeur (1888) (Image: Hahnloser/Jaeggli Foundation, Winterthur/Photo: Reto Pedrini)
- Félix-Edouard Vallotton, La Blanche et la Noire (1913) (Image: Hahnloser/Jaeggli Foundation, Winterthur/Photo: Reto Pedrini)
Finding a new home was an “extraordinary stroke of luck”, says Beat Denzler, the president of the Hahnloser/Jaeggli Foundation. But the collection’s move to Bern was not a given—it was the result of an international competition and “very serious competitors came forward”, says Jürg Bucher, the head of the Kunstmuseum foundation and the Zentrum Paul Klee.