Though Ai lived in New York for many years in the 1980s, the artist was unable to attend many of his own popular exhibitions in the US because of his falling out with the Chinese government, which led to his passport being confiscated for nearly two years. His last significant show in the city was a Brooklyn Museum retrospective in 2014.
Production of Iron Root (2015) to be shown at Lisson, New York
The show at Mary Boone’s Chelsea gallery will also play with these ideas through Tree, “weathered sections of dead trees that have been brought down from the mountains of Southern China and bolted together in the form of a whole”. Uptown, Boone will host a room-sized installation in wood, porcelain, wallpaper and Lego bricks.
Deitch’s show Laundromat, at his newly reopened gallery on Wooster Street in SoHo, will present cleaned, cast-off clothing left by refugees after Greek police evacuated the makeshift Idomeni camp along the Macedonian border in May.
“I wish I had known him in New York in the 1980s when he was here for a whole decade, and it turns out that many of my friends knew him,” Deitch said in a phonecall. Deitch had in fact wanted to do a show of work from that early period, but Ai “is very engaged in the present”—hence the show on the current refugee crisis, a cause the artist has championed.
Not only has Ai spent time in exile in adult life but, Deitch pointed out, he and his family were sent to internal exile in China during the Cultural Revolution. “He identifies with people in these challenged situations who don’t have the support of the state like a conventional citizen,” Deitch said.
Ai Weiwei Ai has been documenting refugees arriving at the Idomeni camp since December. (Image: Zoltan Balogh/MTI via AP)