Picasso Portraits 6 October-5 February 2017
National Portrait Gallery
Pablo Picasso, Woman in a Hat (Olga) (1935). Musée national d’art moderne Centre Pompidou, Paris. (Image: © Succession Picasso/DACS London, 2016)
Jeremy Deller and Cecilia Bengolea, Bom Bom's Dream (2016). Installation view of The Infinite Mix: Contemporary Sound and Image, off-site Hayward Gallery exhibition at The Store, 180 The Strand, London
Until 4 December
Hayward Gallery at The Store
Any show that gets art critics pontificating about the rapper Kendrick Lamar has got to be a winner. This off-site exhibition, organised by the Hayward Gallery and The Vinyl Factory, brings together ten video works by artists including Cyprien Gaillard, Kahlil Joseph—who teamed up with Lamar for his two-screen installation—Rachel Rose and Martin Creed. Located in a disused office block on the Strand, each piece gets its own chamber, avoiding the sound leakage often found in video art shows. With holograms and 3D projections, this is probably the funnest show in town.
Jackson Pollock’s Blue Poles (1952), one of 19 paintings by the artist in the first major UK survey of the movement for __more than half a century. Courtesy of the National Gallery of Australia, © The Pollock-Krasner Foundation/Artists Rights Society
Until 2 January 2017
Royal Academy of Arts
David Anfam, the world’s expert on the subject, has thoughtfully chosen and arranged 150 paintings, with some works in other media. He has allotted, very appropriately, Jackson Pollock, Willem de Kooning, Mark Rothko and Clyfford Still entire galleries to themselves, interspersed with thematic groupings, sculpture and works on paper. The hang satisfies the need for the undivided meditative and ocular attention that these paintings call for if they are to be experienced fully. A slow and prolonged visit is recommended. As with any classical work, no matter how familiar the Abstract Expressionism may seem, the works repay repeated close viewing.
Installation view of the Hyundai Commission 2016: Philippe Parreno, Anywhen (Photo: Tate Photography)
Until 2 April 2017
Tate Modern
Philippe Parreno has taken over Tate’s Turbine Hall with a multi-sensory experience full of drama. The show builds on many of the elements from his recent exhibition at Gladstone Gallery in New York but on a vast scale, with balloons modelled on fish from the Thames, and an orchestration of flashing lights and sounds recorded from microphones outside the Tate. There are also walls that come down from the ceiling to make an impromptu cinema, showing images of bacteria with a voiceover by the British ventriloquist Nina Conti.
Michael Dean's installation for the Turner Prize 2016 at Tate Britain (Courtesy of Joe Humphrys © Tate Photography)
Until 2 January 2017
Tate Modern
“Wit, playfulness and a sense of the absurd” are themes of this year’s Turner Prize, according to the director of Tate Britain and chair of the jury, Alex Farquharson. It’s easy to see why, with the shortlisted artists producing work ranging from a (much)larger-than-life sculpture of a man’s buttocks (Anthea Hamilton) to a sit-and-ride train installation (Josephine Pryde). The two other shortlisted artists are Michael Dean, with an installation made of 2,043,599 pennies, and Helen Marten, whose complicated installations include visual puns. The winner of the £25,000 prize will be announced in December.