At the end of an hour-long panel discussion on the film Citizenfour on Thursday night that he was moderating, David Carr sat back in his chair and in his distinctive, weather-worn voice asked Edward Snowden, the NSA exile, a final question via video link. “I’ve got to channel all the moms in the audience for just a sec,” he said. “You’re in Russia. So are you getting enough to eat? Is the food good?” It was classic David Carr. Unexpected, empathetic, funny. It raised a robust laugh from the packed crowd.
Media commentator, scourge of hogwash (BS, as he would call it), former crack addict, fierce defender of good journalism old or new, David Carr has died aged 58, after collapsing in the newsroom of his beloved New York Times, to which he had returned after the panel ended.
To the wider world, he was best known as the feisty, hawkish figure who is seen in Page One, the 2011 movie profile of a year in the life of the New York Times, as he takes on Shane Smith, loose-talking co-founder of Vice magazine. Smith is bragging about his reporting on cannibalism, comparing it to the way the Times talks about surfing, at which point Carr stops thrashing away at the keyboard of his laptop, stares Smith straight in the eyes and says: “We’ve had reporters there reporting on genocide after genocide. Just because you put on a fucking safari helmet and looked at some poop doesn’t give you the right to insult what we do.”
It was another classic Carr moment, but one that spoke to only a fraction of the man, said Andrew Rossi, the documentary’s director. “That clip showed David at his most bombastic, but behind it was his tremendous loyalty for the paper that he loved and for his friends. That, and his ability to call bullshit when he saw it.”
Few journalists have travelled as long a journey as David Carr, from addiction-addled years in Minnesota, through stints as editor at the alternative weeklies the Twin Cities Reader and the Washington City Paper, to becoming the hugely influential media columnist for the New York Times. In recent years he led a life in Montclair, New Jersey, that was as poised as his old life had been chaotic.
In his 2008 memoir The Night of the Gun, Carr described himself as a “middle kid in a family of seven [born] into a John Cheever novel set on the border of Hopkins and Minnetonka on the western edge of Minneapolis. It was a suburban idyll where any mayhem was hidden in the rear rooms of large split-level homes. I sought trouble even though I had to walk a long way to find it.”
He found trouble in the late 1980s in the form of crack cocaine. “I drank and drugged for the same reason that a four-year-old spins around past the point of dizziness,” he wrote. “I liked feeling different.” In the memoir, he set out in harrowing detail the depths to which he had sunk, including a night in jail after assaulting his then girlfriend and the time that he left his twin children in the back of his locked car for hours while “one thing begot another” in a dope house.
His struggle to crawl his way back from that nadir into the light of a distinguished journalistic career imbued his later writing with essential qualities, to which those who have worked with him closely attest. Bill Keller, Carr’s executive editor at the New York Times for eight years, said that it gave him an immense empathy, “a genuine appreciation that life is hard”. Even more, Keller said, it filled him with an intense appreciation for everything around him. “He had a huge sense of relief at being alive. On some personal level it was wanting to live up to and deserve his good luck.”
That spirit was infused in his attachment to good journalism – the sense that no one was as lucky as he was to be paid for doing what he enjoyed most. As he once put it, journalism was “a little bit of a caper, that isn’t really a job, that under ideal circumstances you get to at least leave the building and leave your desktop, go out, find people more interesting than you, learn about something, come back and tell other people about it … It beats working.”
It was a fine definition of the business, with but one flaw: few people were more interesting than Carr.
The other legacy of his years of addiction was a burning belief in the importance of truth. In his memoir he wrote that: “To be an addict is to be something of a cognitive acrobat – you spread versions of yourself around, giving each person the truth he or she needs.”
Having kicked the habit of cocaine, he also kicked the habit of factual relativity, becoming a strong advocate of accuracy in journalism, including his own. In his weekly Times column, the Media Equation, he not infrequently critiqued his own earlier work, including a mea culpa over Bill Cosby and a memorable piece in which he even admitted he had got it wrong about that riposte to Smith and Vice in Page One.
He joined the New York Times in 2002, and later built his media column into a Monday morning must-read at a historic moment when the Times itself, as with the entire media world, was going through convulsions. The more tightly those paroxysms of change gripped the industry, the more vital his calm, nuanced take on them became.
Carr had a foot in both worlds – raising his voice in defence of what was crucial about the old world of shoe-leather reporting but also able to see the excitement and value in the new.
Glenn Greenwald, the journalist who broke the Snowden story and who sat on Thursday night’s panel with him, said that Carr was a “steadfast supporter of the new form of journalism we were doing. To be at the Times and to see what is good about the new way of doing things is what made him so interesting and important.”
Rossi said that Carr noted the potential dangers in the media revolution, “but he was an advocate of transparency and change, of taking risks”. As an element of that, he saw the potential of social media in allowing a wider audience to break into the ivory castle of journalistic institutions. Rossi recalls that Carr had an expression for it – “the self-cleaning oven” of the internet, meaning the ability of the crowd to pierce through quickly to the truth.
He took to Twitter as though it were an extension of his conversations in the newsroom or in the bar with friends, earning the attention of 469,000 followers. In the hours after his death, Twitter feeds hummed with an outpouring of memories from prominent journalists and writers he had helped along the way, including Jelani Cobb and Ta-Nehisi Coates whom he took on as interns at the Washington City Paper.
“He had so much time for so many people,” said Ravi Somaiya, who reported alongside Carr on the Times media desk. “He has left us feeling we have lost a mentor, that he left us too soon, because he would always be honest and he always knew what mattered.”
Carr’s final tweet on Thursday was the perfect fusion of the old and the new. In it, he quipped that a Times colleague had “left me a VM because he thought I’m actually ancient enough to still listen to them. Took the bait. Ouch. #gotyermessage.” Classic Carr.
He is survived by his wife, Jill, and three daughters, Maddie, Erin and Meagan.
• David Carr, journalist, born 8 September 1956; died 12 February 2015